Theatre for a New Audience at Polonsky Shakespeare Center
262 Ashland Place, Brooklyn, NY 11217
Hours open
Monday:
Closed
Tuesday:
1:00 PM - 6:00 PM
Wednesday:
1:00 PM - 6:00 PM
Thursday:
1:00 PM - 6:00 PM
Friday:
1:00 PM - 6:00 PM
Saturday:
1:00 PM - 6:00 PM
Sunday:
Closed
Photos
About the Business
The Theatre for a New Audience at Polonsky Shakespeare Center is a renowned institution located at 262 Ashland Place in New York, United States. Founded in 1979 by Jeffrey Horowitz, the theatre is dedicated to developing and revitalizing the performance and study of Shakespeare and classic drama. With a focus on creating epic landscapes in small spaces, the Theatre for a New Audience has garnered praise from critics and audiences alike.
In 2001, the theatre made history as the first American theatre invited to bring a production of Shakespeare to the Royal Shakespeare Company in Stratford-upon-Avon. Since then, the Theatre for a New Audience has produced shows Off-Broadway, toured nationally and internationally, and even played on Broadway. In 2013, the institution opened the Polonsky Shakespeare Center in the heart of Fort Greene, Brooklyn.
The 2023-2024 Season Sponsors for the Theatre for a New Audience at Polonsky Shakespeare Center are Deloitte and Bloomberg Philanthropies. Visit the center at 262 Ashland Place in Brooklyn, NY 11217 for a world-class theatrical experience.
Reviews
"Lovely space, well kept and conveniently located. But do not understand any circumstances think you can open something wrapped in crinkly plastic during the show - I saw that usher scope in like a hawk in Union Square."
"Saw “Waiting for Godot” and it was a magical experience! However, there is not enough time during intermission to use the restroom and get water from concessions with one man working the concessions booth! Besides that, the theater is great with a lovely 360° view."
"First off, the most recent show we attended (Orpheus Descending) was very good. This review is focused on the rest of the experience that would likely apply more generally to those visiting the theatre. The seating layout for their large black box theater leaves something to be desired. It's a square three-quarters in-the-round setup, but if you get nosebleed seats then expect to have limited visibility for parts of the show without awkwardly leaning over the edge of the balcony. Movable chairs did help somewhat in this regard, if you can do it without blocking others' views. I did very much appreciate the usher who offered to get us a seat upgrade after overhearing we were TDF members, though that particular night was too full for it to work out. But they said we could come find them next time to make it happen! Very nice and unexpected gesture which speaks to the welcoming culture of the company. That said, tickets here are quite expensive, typically starting at $90 unless you can attend one of the infrequent pay-what-you can performances or find tix through TDF (highly recommended if you are an avid theatre-goer under 30). Good theatre these days is expensive to produce, no question. But this price floor feels rather high, despite the quality of the offerings here."
"Modern fresh clean theatre. Close to G and C train stations. Street parking is hard to find suggest transit. Small to medium size theatre with a little less than 600 seats it's an Opera style seating arrangement. Every seat has an excellent view of stage. Side balcony seats can be moved to view stage better but limited. Wheelchair accessible. Elevator and stairs takes you up to theatre. Bathrooms are on the first floor, water fountain as well. There is a bar on the first floor as soon as you enter premises. I went to see Orpheus Descending lead cast members where amazing."
"The Polonsky Shakespeare Center is an amazing jewel in Brooklyn. I think it's the best Off-Broadway house in NYC. It is in a brand new building hiding an intimate theatre in which the audience is almost on the stage amid the actors. I was blessed to see "Wedding Band," a standout revival of Alice Childress' MasterClass in race relations. What's sad is that this was written over fifty years ago about a time one hundred years ago and it still rings current, down to the influenza. I don't know if Ms. Childress is a seer or merely a master story teller. If you have a chance go to Brooklyn and see, in person, this amazing production."
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